2012 Transformations — Face Painting Gallery

by Christopher Agostino

Faces, and a few bodypaintings, from 2012. Mostly by me and some by our company members.With the exception of the bodypainting models, all of these are photos of regular people painted at events around New York. The photos are arranged by name, rather than chronologically, so this year it starts with aliens and ends up with zebras and zombies. The names I give designs help me sort and find them, and also help me remember new ideas while I’m working. It’s very rare these days that I ask someone what they want to be before I paint them. Almost always I’m surprising them, which means I need to have lots of my own ideas ready, so I bring a list of names  as a reminder of design concepts. And it’s very helpful to have a name for what you’ve just turned somebody into, especially when you are being inventive. Part of the fun of surprising someone is talking to them about what they are becoming to build the anticipation, giving them the story.

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Click here for the slideshow:  2012 Transformations Video  music by Jeremy Agostino

The 2012 Transformations Gallery:

click on the photos to see the names of the images

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BodyStory Video Experiment 1 — Peacock and the Sun Goddess

BodyStory Video Experiment 1 — Peacock and the Sun Goddess

The Peacock and the Sun Goddess BodyStory was an experiment for a class presentation at the Face and Body Art International Convention in 2012 (FABAIC). For my class on storytelling I tried out a new idea (new for me - see below) of taking the methods I use for telling a story via facepainting onto a painted body — using a fully painted body in choreographed movements to accompany my narrative. I had done this with several performers and much assistance to perform the story Li Chi Slays the Dragon as part of our Bodies Alive! production at FABAIC 2008, but that felt more like a theatre piece and this was meant to stay closer to the stylistic quality of storytelling.

The Peacock and the Sun Goddess BodyStory was conceived and presented as a live performance. As the concept seems well designed for video I took the fotos and video we’d made as documentation and created this video in iMovie. (The wonderful music is Indian Fever by David Starfire, which I found on the album “Six Degrees Free Indian Music Sampler” on Amazon. The model was a non-professional, so I’ll withhold her name) The next step in the video experiment will be to create a BodyStory design specifically for video, and explore what is possible without the design limitations inherent in a live performance.

See the BodyStories Page to learn more about other BodyStory projects, including “Is This the First Story?” based on an 18,000 year old cave painting.

To be clear, nothing in art is ever truly new—especially in an art form as ancient as bodypainting. In saying that these experiments feel “new for me” I’m not saying that I’ve invented something here. Aboriginal Australian bodypainting may go back 40,000 years in a continuous line and in some cases, particularly in the context of ritual initiations, their bodyart tells complex mythological tales (to name just one precedent). Nothing is new.

To learn more about our programs and performances:  http://www.agostinoarts.com

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Painted Bodies: Africa — Video of Carol Beckwith & Angela Fisher

Wodaabe men decorated for the Geerewol celebration, making themselves attractive so that a woman might select them for courtship

Carol Beckwith and Angela Fisher have been learning about and photographing the traditional cultures of Africa for 30 years, and have published several books of their work, including a seminal text on the subject: African Ceremonies (Abrams, 1999).

In September 2012 they came out with a book focusing more specifically on bodyart traditions:  Painted Bodies: African Body Painting, Tattoos and Scarification  (find it on amazon) and I received a link (via Craig Tracy) to a National Geographic Live! video of these two remarkable ethnologists talking about this new book and their journeys to these remote African cultures to create such a record of vanishing traditions.

VIDEO:   National Geographic Live! – Carol Beckwith & Angela Fisher: Painted Bodies of Africa

 

Girls of the Surma people, Ethiopia. In the video, Carol and Angela discuss how fragile such traditions are. Omo River cultures such as the Surma and Karo are going through drastic changes this year, as a new dam on the river will do away with the annual flooding that their way of life has depended on.

 

To learn more about our programs and performances:  http://www.agostinoarts.com

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Beautiful Bellies

 

Our artists have been transforming the faces of New York for over 25 years.  Here they bring their artistry to the most beautiful canvas of all.  

 

Custom hand-painted designs offering a mother-to-be the opportunity to celebrate her and her baby’s transformation with an original, beautiful work of art. Though the bodypaint will easily wash away, the photograph and memories remain to be cherished for a lifetime.

How do you come up with the design?

You will correspond and collaborate with an artist to come up with a personal, meaningful design.  Our artists can be inspired by your family heritage, nursery designs, or cultural images from around the world.

Where does the painting take place?

A belly can be painted in the comfort of your own home or in a photographer’s studio of your choice. The painting itself takes around one hour, depending on the design.  Once the painting is complete, a photograph helps capture the beautiful canvas.  You may wish to share the experience with loved ones and include belly painting as a baby shower activity. Though the paint will wash away, the photograph will be cherished for a lifetime.

What is it like to be painted?

Your belly will be hand-painted using soft sponges and brushes, a relaxing therapeutic sensation. The make-up used is an FDA approved water based make-up that is very safe for both mommy and baby. The make-up itself is very lightweight comes off easily with soap and water.

Contact us for prices and more information: info@agostinoarts.com

 

“Thanks again for the amazing experience…you gave me the most wonderful gift!” -Heidi, Brooklyn

Consider a gift certificate for a pregnant belly painting as a unique baby shower gift.

Go to our website for more information on all our programs: agostinoarts.com

 

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Japanese Demons and Kabuki Spooky —re-post

by Christopher Agostino
(the heaviest traffic on the site these past few days are people searching for scary stuff like demon imagery, so I am re-posting one from last Halloween season  – and come see me at the Prospect Park Zoo this Sat and Sunday (Oct 27+28) to get your face painted — and I will be telling a new mix of demon tales from my storytelling show: The Eye of the Demon)
I paint a lot of demon faces this time of year, many inspired by Japanese imagery and folktales. In 2008 particularly, I put an effort into exploring new face designs based on Japanese masks and kabuki makeup. That year I was painting at the Transworld Halloween Show  for Kryolan Professional Makeup and took the approach at the event to paint horror faces based on world mask designs, as a contrast to the traditional zombies and skulls, so most of the examples here are from around that time.
     
This mask is a contemporary example of a Namahage Demon from the Akita Prefecture. It is worn for a traditional Lunar New Year celebration which sounds like Halloween in reverse, as young men wear the masks and visit people’s houses to scare their children and admonish them to listen to their parents—or the demons will come back! The parents reward the young men with sake and food. Although frightening, Namahage are said to be gods who bring good fortune, an example of the beliefs connected to spirit worship traditions in which powerful demonic spirits can become protective when they are appeased. Check out the Japanese movies Onmyoji and Onmyoji 2 for a fun depiction of demonic possession and the Ying-Yang master that has to restore the balance.
      In folktales, Japanese demons come with various descriptions. Some may be red or blue faced, with fangs, horns and one, two or three eyes. In the tale of the famous samurai Raiko and his battle with the Goblin Earth Spider, he is attacked by an army that drops out of the storm clouds, including animals that walk like men, beings with three claws and three eyes—one with eyes in its hands—and long serpents with human heads. There’s a few ideas for facepainting. At an exhibit of prints by the artist Kuniyoshi last year at the Japan Society I was very jazzed to see two illustrations of Raiko vs. the Earth Spider with imagery that has re-invigorated the way I tell and depict that tale through faces.
     
The prevalence of such beliefs within the medieval Japanese culture allowed for the growth in Edo province of “Aragato,” the style of Kabuki theater which produced the famous makeup for its samurai hero and for the ghosts and demons he would battle. The origin of Kabuki and other Japanese theater in shamanic ritual and spirit worship is evident in the hero’s ability to do the impossible because they have allowed themselves to be possessed by a powerful kami (“supernatural deity”) and thus have become hitokami (“man-gods”). Continue reading