2013 Holiday Face Painting Gallery

Transformations_HOLIDAYS2012e_agostinoarts

Some favorite Christmas, holiday and wintertime faces from our events last season, and the newest ones from this year. See more design examples at Face Painting Gallery — 2011 Holiday and Christmas Faces

 

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StoryFaces and Body Painting at NYSATA 2013

At this year’s New York State Art Teacher’s Association Conference (NYSATA) I had the opportunity to do a presentation on my StoryFaces Mask Arts programs, which included performing a few stories from the assembly programs I do in schools, and we went through “Designing Tribal Masks Project”, an example of one of my classroom workshop programs, along with this sample handout: .StoryFaces_MaskArts_TribalMaskProject_agostinoarts

As the tiger leapt through the walls of fire, he began to burn with a flame of his own...

As the tiger leapt through the walls of fire, he began to burn with a flame of his own…

For one of their Friday After Dark workshops I offered “Face and Body Painting 101″, so during the day I also painted a model in the exhibit area as an example. It’s a design of familiar elements, from my story “The Tiger That Went to the House of the Sun”, which I would be telling that afternoon in the StoryFaces session. TigerBody_iPad_1_131122_agostinoartsThe open lobby area we were in was  too chilly for my volunteer model, so I limited the painting to from 10:00 am to 12:30.

TigerBody_iPad_3_131122_agostinoartsTigerBody_front1_131122c-detail

 

 

 

 

 

 

Face and Body Painting 101 at NYSATA

Face and Body Painting 101 at NYSATA

We also had a couple of volunteer models along with 14 participants for the Face and Body painting workshop that night, and I think everyone enjoyed themselves.

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Workshop_FAD-NYSATA_group1_131122c_agostinoarts

 

Learn more about my school programs at:

Christopher Agostino’s StoryFaces

StoryFaces — Mask Art Workshops

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Ruby – beautiful video by Emma Allen

An animated self-portrait exploring the idea of rebirth and illustrating the transfer of energy from one incarnation to another. I painted this stop frame animation on myself over 5 days, using some face paints, a mirror and a camera.

emmaallen.org
twitter.com/imakefings

Story & Performance – Emma Allen
Photography & Makeup – Emma Allen
Post Production – Alex Try, Phil Varnier
Sound – Alex Try

I have my first exhibition opening this week on 13th November at The Dalston Superstore. Please come, have a look and say hi.dalstonsuperstore.com/features/black-light/

 

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How to do Zombie Make-up — Quick, Step-By-Step Face Painting Instructions

Our Transformations technique is to create bold face designs that look exciting both from across the room and up close, based on our studies of theatrical makeup and world mask concepts. We work fast to paint as many people at an event as possible — a face like this zombie would take 3 minutes — so we do take shortcuts and simplify techniques (such as shading), and are less concerned about how a face looks in a foto as we are about it’s effect seen live. At a recent event I took these step-by-step fotos on a guest as I painted him.

zombiehowto_1base_131016c_agostinoarts  STEP 1: BASE — With a sponge, put a solid base color over the whole face (except the eyelids). Use any medium shade: grey is classic zombie, but can be green, blue or others. (See below for info on the makeup, brushes and sponges we use — and also for a pdf of a green zombie and other variations)

 

 

 

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zombiehowto_2shading_131016c_agostinoarts STEP 2: SHADING — Add shading to exaggerate the sunken parts of the face: the eye sockets, the sides of the nose, the lines from the edge of the nose going around the mouth, the hollows on the cheeks and chin. Generally with horror make-up, you want to make the face more dramatic looking by putting shadows into the sunken, fleshy parts of the face and highlights on the bony parts (step 3). I do my shading by painting thin lines with black liquid make-up, then “pulling” those lines with a large soft brush to blend them into the grey base. You can also do your shading with the edge of a sponge — a triangular sponge works well for that.

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zombiehowto_3highlights_131016c_agostinoarts  STEP 3: HIGHLIGHTS — In this step I use a sponge to lightly put white makeup onto the bridge of the nose, the cheek bones, chin and forehead, to increase the sculpting of the face.

I also put a bright color (yellow in this case) onto the eyelids to begin to make his zombie eyes.

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zombiehowto_4eyesmouth_131016c_agostinoarts  STEP 4: EYES & MOUTH — I add a red spot for the eyes and black to create the open mouth shape. It’s part of the style that I work in that the mouth is kind of loose and jagged — I like my monster faces to look “ill-formed”, not too precise.

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zombiehowto_5details_131016c_agostinoarts  STEP 5: FINAL DETAILS and EXPRESSIVE LINES — In this case I gave him small pointy teeth with some red dots for blood. I used what I term “expressive lines” to give his eyes an angrier look — they same kind of line techniques a cartoonist would use to change the expressions of an illustration can create the modern, fast type angry zombie or, with different eye lines, the old-fashioned shambling type zombie (in this case, I modeled off of those furrowed brows they always give the Hulk when he’s angry in comic books).

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zombieeyes_131016c_agostinoartsZOMBIE VARIATIONS —  Starting from this basic formula of using shading and highlights to make the face dramatic, using bizarre colors, and adding playful details like a gory mouth and zombie eyes, you can make a whole range of zombies, monsters, and other horror make-ups. The blue shaded zombie here was also painted at the same event. See the 3  previous posts for galleries of Halloween faces and variations.

Click here for a printable pdf of the step-by-step for a green zombie, and some examples of variations:

Halloween_ZombieHowTo_agostinoarts

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Kit-060507eMAKE-UP AND TOOLS — There are a  lot of good face painting make-ups available today, so please be sure to get a safe, comfortable make-up product for any facepainting. Never use paint on someone’s skin, even paints that say they are non-toxic — always use make-up.

The brand we prefer is Kryolan’s Aquacolor because of the vivid colors, ease of application and removal, and how comfortable they are to wear. Learn more on our web page http://agostinoarts.com/AboutTheMakeup including where you can get quality make-ups in the NYC area and online. And check out my book: Transformations! The Story Behind the Painted Faces

I apply the Aquacolors with sponges and brushes. I prefer the round craft-type sponges and synthetic sable watercolor brushes.

Learn about all that we do at: agostinoarts.com

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Halloween Face Painting 2013 — Gallery #zombieattack

TEventSign_Surprise-NiceorSpooky‘Tis the season… We do a lot of Halloween and Fall festival events this time of year, and folks seem even more appreciative of, and open to, our creativity as Halloween approaches. It’s a good time to develop new face ideas and expand on older ones. Our approach is to surprise each person we paint with an original design just for them, only asking if they want to be “nice” or “spooky” — or matching their costume if they have one. Here’s a gallery of some of my favorites as I paint this season, and I’ll add more as we go (gallery updated 10/23/13). Mostly they are the spooky ones, but there’s a few nice ones as well.  Check out our event schedule on the News/Schedule page and come and be transformed at Boo at the Zoo and our other Fall Festival and Halloween events.

 

 

Learn about all that we do at: agostinoarts.com

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