Animals On Faces — #animalsIDIC Facepainting Gallery

#AnimalsOnFaces #animalsIDIC — Approaching the face as a canvas and placing an image of the animal onto the face using the inherent shapes of the face. In creating designs to use the curved, living canvas that is a face, I start with exploring where can I place the key element(s) of the animal to create a design that fits the shapes of the face I’m painting and/or allows the wearer to animate the design by using their eyes or mouth. Years of turning people into animals at the Bronx Zoo gave me lots of opportunity to experiment with creating a variety of different faces for the same animal: moving animal images around the face to see where they fit; changing the scale of the images; applying different artistic styles; thinking about creating scenic designs, paintings and graphic images rather than mask-like faces. I’ve collected examples from the past couple decades, starting with my favorites in the top block.

Combinations

Multiple images of animals. Taking a graphic approach in the first examples to confuse the perception of the underlying face and create illusions.

Examples from Transformations

For my book,  Transformations, I drew on years of events at the Bronx Zoo , including special thematic weekends such as Spots and Stripes, or Hidden Animals, that I could use to develop new designs. Working as teams of artists at those public events in which we’d paint hundreds of people, I saw the value in developing a wide range of design techniques, to create different faces for each participant so that each face remained interesting in a crowd of painted faces, and each person painted had their own unique experience. Photos mostly from 2000-2006, a few are older:

Additional Designs

Up through 2016. I’ll be posting a separate Gallery of Animals On Faces 2017 as the photos start coming in.

Learn more all we do at: agostinoarts.com

 

Animal Surprises at the Bronx Zoo — Facepainting Gallery

We had a team of 6 artists at the Bronx Zoo for a company’s family outing this past weekend, which gave me a chance to do some more specifically animal and nature themed facepainting then I get to do on most of my gigs these days. Although at our zoo facepainting concessions we post a list of about 40 animals for people to choose from (just a list — no photos), at our special events there we prefer to be more adventurous by surprising people with the animal we turn them in to. We ask each participant if they want to be “nice” or “spooky” and then surprise them with the transformation. Here and some of the faces I painted myself over the 4 hour event. (You can click on the photos to see the names I give the face designs.)

Elephant Face Painting Gallery — Run for the Wild at the Bronx Zoo 2013

It’s Earth Day today, and a beautiful morning. We are getting ready for this spring’s Run for the Wild at the Bronx Zoo on April 26, an annual family event in which runners gather early in the morning at the zoo to run and raise funds for all the work that the Wildlife Conservation Society does to preserve the environment around the world. The facepainting will be free for participants in this event, from 7:00 – 9:30 am. The annual Run for the Wild events are great fun and a unique way to enjoy the zoo while helping wildlife. Please come and enjoy a wonderful morning at the zoo!

Each year the Run for the Wild features an iconic animal as “poster child”, and this is the second year to feature the elephant. Elephant populations are currently under direct threat from poaching (65% of the African Forest Elephant population have been killed between 2005 and 2012), and the WCS and other organizations are pushing to protect them both by their efforts in the field and by working to enact laws to ban ivory trading. Learn more: 96 Elephants: A Killing at the Bai

 Here are some photos of faces from the 2013 Run for the Wild.
Learn more about all we do at: agostinoarts.com
Enhanced by Zemanta

Halloween Face Painting 2013 — Gallery #zombieattack

TEventSign_Surprise-NiceorSpooky‘Tis the season… We do a lot of Halloween and Fall festival events this time of year, and folks seem even more appreciative of, and open to, our creativity as Halloween approaches. It’s a good time to develop new face ideas and expand on older ones. Our approach is to surprise each person we paint with an original design just for them, only asking if they want to be “nice” or “spooky” — or matching their costume if they have one. Here’s a gallery of some of my favorites as I paint this season, and I’ll add more as we go (gallery updated 10/23/13). Mostly they are the spooky ones, but there’s a few nice ones as well.  Check out our event schedule on the News/Schedule page and come and be transformed at Boo at the Zoo and our other Fall Festival and Halloween events.

 

 

Learn about all that we do at: agostinoarts.com

Related articles

Enhanced by Zemanta

Transformations — About the Company

About the Company

— adapted from Transformations! The Story behind the Painted Faces by Christopher Agostino – revised 12/12/12

The first face I painted was in 1976, as a young actor asked to help turn hundreds of my fellow high school students into clowns for a bicentennial parade. By the next summer, the members of our theater troupe had opened a facepainting concession at Adventureland Amusement Park on Long Island, NY. I haven’t stopped painting faces since. (Why would I? It’s too much fun).

In the eighties I began to look at facepainting differently — as an art. The art of transformation. In 1983 I was in LA,  painting faces and bodies at Venice Beach. I joined with another performer and visual artist, Jennifer Green, to promote facepainting to museums and art shows as well as the usual gigs. Jenn’s approach to a face was very different from mine. On the same day that I painted a classic Chinese Opera design on her as a logo for our fledgeling company, she turned me into abstract art.

When I returned to New York, I got a gig painting faces in the window of Unique Clothing right on Broadway in Greenwich Village and worked there on and off through the mid- ‘80s. It was facepainting as public entertainment. As was the case at both the amusement park and Venice Beach, I was painting more adults and teens than kids. I worked on ways to blend my theatrical approach and the Chinese Opera imagery with the punk styles people were wearing on the streets.

The extensive event industry in New York let me move from street fairs, where people paid for each face, to being hired for private parties and corporate events. Sometimes I’d be able to bring along another artist who painted full faces, but most often there would be other freelance facepainters on these gigs with their own styles or just doing cheek art.

As the work became more steady and the events larger, I wanted to always work with a group of artists who approached this art like I did, to present facepainting as more than a cute diversion for little kids. That led in the ‘90s to the formation of the company, Transformations Facepainting, and that was when facepainting really became fun.

Finding a facepainting home like the Bronx Zoo has allowed us to develop and maintain a company of very experienced artists. The members of Transformations Facepainting, over the years, have included: Dennis Pettas, Roberta Halpern,  Jennifer Wade, Miguel Cossio, Laura Metzinger, Michele Carlo,  Angela Izrailova, Miko and Claudia Reese, Jin Young Park, Danny Gosnell, Naoko Oshima,  Margery Gosnell-Qua,  Maria Pirone, Sigfrido Aguilar, Janet Izzo, Denise Lord,  Nirupama Kumar, Christine Gregory, Zak Brown, Lizi Costache, Regina Russo, Phil Zirkuli, Britt Lower, Colleen Gallagher, Deborah Berkson, Abigail Weg. Our website and promotional materials are full of my snapshots of the faces that I paint — their work is vastly under-represented in proportion to their contribution to the success of our company.

The artists who find their way into our company tend to stay with us. It’s so much fun and we like each other.

Before I had an organized troupe, I had friends to paint with. I’d get canvas painters I knew, like Wanda Boudreaux, to try facepainting. Wanda’s from New Orleans, so we also got a chance to paint down there for Mardi Gras, and I have always felt that I learned as much from artists like Wanda as they learned from me. Some of the other artists I’ve painted with along the way include Kate Cain Madsen (who began like me back at Adventureland), Teddy Goldman, Anne Farmer, Diane Epstein, Suzanne Haring and her sisters, Jodi Levitan, Susan-Rachel Condon, Luanne Dietrich, Erica Borillo,  and Therese Schorn. Some of these artists were with me as I first began to discover what I wanted to do with a face.

A facepainter is an artist who entertains, and entertainers get into the most interesting places. One day we may be painting at a party in the inner recesses of the New York Stock Exchange and the next day we’re painting an endless line of kids in the Bronx for the NYC Parks Department. One summer, Transformations was hired by the Nature Conservancy for the Long Island Beach Festival. It was a wonderful event, right on the beach at Smiths Point Park. I got to tell stories and talk about nature and facepainting to the crowd strolling through the tent, and we got a chance to dip our toes in the ocean afterwards. This is a wonderful business.

Usually for such events I’ll give the artists a theme and maybe some source images like masks or sea life photos and they will invent their own faces. This time I tried something different. I gave to the three artists working with me (Naoko, Marge and Miguel), a set of 70 sea life faces I had sketched out for an earlier project at the New York Aquarium and asked them for that day to use my designs rather than their own. We told the crowd we were painting not to worry about what they wanted to be, that everyone would be surprised with a different sea life face.

As these three accomplished artists, who I have worked beside for years, began painting my face designs each took their own approach, brought their own style and vision, and none of the faces looked like I’d painted them. What a pleasure it was to work beside them.

For such artists to believe me when I tell them what I think is possible in this unconventional medium; for them to let me give them certain rules for painting on certain days; for colleagues to let me set a course for their creativity — this is all a very unexpected consequence of my decision to be a facepainter. To have a company of artists who want to do what I do amazes me.

to learn about all our programs: agostinoarts.com
christine+dennispntg-060729_agostinoartschristinebyzak2_agostinoartscopntg1-060729_agostinoartsdanntpntg-9909_agostinoarts
dennispntg-9909_agostinoartsfamilygroup_agostinoartsmiguelpntgnaoko2-060729_agostinoartsmargecolorful-1996_agostinoarts
mariafish1-060319_agostinoartsmariapntg-0302_agostinoartsmichelepntg-9907_agostinoartsmiguelpntgmassai-9906_agostinoarts
miguelpntgnaoko-060729_agostinoartsgrouppntg_110430_agostinoartsgirlwith2icecreams-061015_agostinoartsjanetpntg-0207_agostinoarts
jennpntgbaldguy_agostinoartslaurapntgtribal-060603_agostinoartslizipntgbird2-060603_agostinoartslzpntgfish-fotobymella-1994_agostinoarts
christine+dennispntg-060729_agostinoarts
Enhanced by Zemanta