Author Archives: Christopher Agostino

Transformation Facepainting Company — Jennifer’s Faces 2011

Here are a collection of faces painted by one of our artists at a few recent events.  Jennifer Wade has been painting her own uniquely creative faces with my company for more than 15 years. She brings to our Transformation approach a refined color sense and a method of stippling and layering colors to quickly achieve a complex background and create her original scenic designs. In our method, all of our artists are encouraged to develop their own designs and style, and Jennifer is an accomplished designer, bringing a great deal of enthusiasm to the challenge of creating new faces for special theme events like the World Science Festival or the NBA Draft Fan Zone. She is a fine art painter and an accomplished craft artist — a future post will showcase the work she does creating Ceramic Tile Murals with seniors and children. Jennifer is also a highly skilled art therapist and absolutely wonderful dealing with the public and getting kids and adults to join us in the sense of creative adventure that is at the heart of Transformations.

I first brought together a company of artists because I wanted to have the ability to impact large events by filling them with painted faces, and I couldn’t do that alone. Working with this group of artists all these years, however, has been the source of so many additional benefits as we have come to share this adventure together. Encouraging and inspiring each other, supporting each other’s non-facepainting endeavors, playing together, and commiserating with each other about that one rotten customer who wants to ruin a beautiful day of painting. I believe it is this sense of camaraderie that keeps our company together today through all these years.

 

painted at our Bronx Zoo concession

From the Science Festival: the extinct Golden Toad of Costa Rica's cloud rainforest

Science Festival: Albatross

Science Festival: an anthropological design based on an ancient piece of pottery from Guanajuato, Mexico

At the NBA Draft Day Fan Zone

 

NBA - Chicago Bulls logo

 

At the Coney Island Aquarium

 

A "Day of the Dead" design painted at a school's Mexican Fiesta

 

another Mexican Fiesta design

 

Jennifer's foto of me painting the school's Vice Principal at the Fiesta

 

 

for examples of another of our artists’ faces see: https://thestorybehindthefaces.com/2011/05/03/facepainting-event-modern-art-faces-in-philly-pt-1-britt/

http://www.agostinoarts.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Scraping Paint for the Power of the Ancients — Rock Art from Pecos River area

A caller into today’s Science Friday show on NPR asked archeologist Solveig Turpin how later inhabitants of the Pecos River region responded to the more ancient, more elaborate rock art there as they created their own. She replied that they apparently respected it/ revered it as the work of their ancient ancestors. They didn’t destroy it or paint over it, though they would sometimes add their more modern drawings to it. And then she said something that really caught my attention. There is significant scraping of pigment from some of the ancient rock paintings because apparently the newer cultures would then mix the ancient pigment from the rock paintings into substances they would use or ingest during puberty and other rituals to gain the power of the ancients. “Scraping Paint” kinda feels like what I do when I look to all this stuff and try to find my inspiration in it by re-creating it as bodyart.

She said this Lower Pecos River style of rock art dates back 4-5,000 years, with sophisticated, complex painting techniques.

It features “shamanic” figures (to use that modern term for all of these ancient human/animal transformation figures whose true meaning and purpose we can only guess at), some 12 – 15′ tall. The thematic content of much of the art being interpreted as relating to human to animal transformation (or animal to human?, or humans acquiring animal attributes?) — and the panther is the key animal power figure, just as the lion is in similarly themed “shamanic” images in ancient Eurpoean cave art. Solveig Turpin: Research Fellow, Texas Archaeological Research Laboratory, University of Texas at Austin Author, “The Indigenous Art of Coahuila” (Universidad Autonoma de Coahuila, 2011)

Click here for a video of examples and her discussion of the art:

http://www.sciencefriday.com/embed/video/10392.swf

More examples and some great fotos at  http://www.rockart.org/gallery/index.html (their site asks that they not be reproduced without permission so I am not posting any here) Rock Art Foundation

National Park site information on the area and its indigenous history: http://www.nps.gov/history/history/online_books/amis/crs/sec1.htm

An image of a "shamanic" figure, from the National Parks Services site

http://www.agostinoarts.com

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