I am honored to say I have been nominated for an award by the Society of Unique Artists. I’m one of 5 finalists in the category of Unique Painting, and the winner will be announced at the Unique Art Awards event on September 29 in New York. Upon my nomination I was asked to submit a portfolio for the judges’ consideration, which I am posting here, including this short video artist statement:
Beginning in 2008, I did a series of painted bodies to be shown in life-sized photographs, as if they were paintings on canvas.
13 paintings are completed.
In the writings from and about the early 20th century—when European Art re-invented itself as Modern Art—we can see that the influence of “primitive” art ran deeper than the identifiable visual elements from cultural sources such as African and tribal art in the works of many influential artists. The role of art as an integral component within the social and spiritual life of traditional communities was an inspiration for these artists in their effort to reinvigorate the transformative power of art. Picasso, amongst others, discussed a desire to make a new powerful type of art that would effect the viewer and society, an art that could no longer be experienced solely as an aesthetic act but which provoked a powerful response in the viewer. I see a parallel in the presentation of fine art painted bodies in American culture today—an act that can be seen as shocking even though it is based in truly ancient human tradition.
African Demoseille
Bodyart is a fundamental human art in all cultures—and quite probably the original act of art itself—and as such it is the initiating source of many visual art concepts. By combining the images of modern 20th century artists such as Picasso, Matisse, Derain and Klee with the body designs of traditional cultures that influenced them, I am returning this art to its source. By painting these works of art on a living, naked human to be seen in public I am striving, as did those early modern artists, to create an art that draws attention and demands a personal, emotional response from the viewer.
As I bring the images and concepts of modern artists back onto the body within the context of traditional bodyart designs I am experiencing a re-creation of this seminal moment in art history through my personal art tradition as a bodypainter. In the actual painting process I feel I am struggling to discover, understand and achieve a new way to paint on my chosen canvas just as I imagine that the modern masters felt.
Presented in exhibit as life-sized photographs in the manner of paintings, how will the viewer respond to these works? Will they see these works as “paintings” or as “body paintings”? Is this within the tradition of the contemporary artist—the tradition I am part of by birth and culture—or is this confined by the medium to be an imitation of cultural folk art? Is this art? Is this fine art?
Bodies Alive! at FABAIC — A celebration of the artists that paint living canvases. Why do we paint bodies? Because they are alive!
In 2008, our company had the opportunity to create a performance for the annual Face And Body Art International Convention, thanks to the support of Marcela Murad (convention producer) and the collaboration of so many world class artists and enthusiastic volunteers, designed to showcase the talent of the participating artists and demonstrate the potential for painted body stage performances. In just a few days, working under the direction of Lorraine, we all put together a show including UV Action Painting, Jinny’s Singing Faces, the Metamorphosis Models by the convention artists, the Nao Dance Company and the epic tale Li Chi Slays the Dragon. Click here for the program listing the participating artists: PROGRAMbodiesAlive
Painted Body Fashion Show featuring models painted by guest artists for Real Art Ways annual Odd Ball.
For the 2009 Odd Ball at Real Art Ways in Hartford, CT , the entire evening was bodypainting as performance art. Here’s a video. Fotos and more at: The Odd Ball
