Mythic Faces at the Hudson River Museum

by Christopher Agostino  agostinoarts.com #transformationsny #mythicfaces

This past Sunday, June 29, I was back at the Hudson River Museum for Family Day, and I was invited by the organizers to take my inspiration for the faces from a wonderful current exhibit, “Mandy Greer:The Ecstatic Moment” (June 7-Sept.14). From the museum website:

Mandy Greer. Every Moment Lost is Lost Forever, 2013         Photo: Andrea Kurtz

Mandy Greer. Every Moment Lost is Lost Forever, 2013         Photo: Andrea Kurtz

“Seattle-based artist Mandy Greer installs a fantasy world awash in color, laced with glittering chandeliers, and alive with sumptuous birds and enigmatic figures draped in costume in her first New York solo exhibition. In The Ecstatic Moment at the Hudson River Museum, Yonkers, June 7 to September 14, 2014, she draws her inspiration from ancient myths and fairy tales and from the mundane and magical  moments of everyday life.”

The scale of her installations transforms parts of the museum into otherworldly landscapes peopled by fantastically costumed creatures, along with photographs of people wearing the costumes in ritualistic settings, often with their faces painted. spiritdancer_figure_hrm_140629cc_agostinoartsUpon seeing the exhibit, I set myself the task of painting the faces of the museum visitors as if they would be inhabiting these costumes and landscapes, in some cases making mask-like designs as if they were enacting rituals like the scenes in the photos and in other cases taking a figurative approach to create personas related to the myth and folklore as well as the thematic description of the different sections of the exhibit (i.e. “Celestial”, and “Earth and Forest”). Hey, if you’re painting faces in an art museum, why not try to paint them like they belong there.

 

 

learn more about the exhibit at: http://www.hrm.org/exhibits.html and Video: Mandy Greer: The Ecstatic Moment

Learn about all we do at: agostinoarts.com

Ruby – beautiful video by Emma Allen

An animated self-portrait exploring the idea of rebirth and illustrating the transfer of energy from one incarnation to another. I painted this stop frame animation on myself over 5 days, using some face paints, a mirror and a camera.

emmaallen.org
twitter.com/imakefings

Story & Performance – Emma Allen
Photography & Makeup – Emma Allen
Post Production – Alex Try, Phil Varnier
Sound – Alex Try

I have my first exhibition opening this week on 13th November at The Dalston Superstore. Please come, have a look and say hi.dalstonsuperstore.com/features/black-light/

 

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How to do Zombie Make-up — Quick, Step-By-Step Face Painting Instructions

Our Transformations technique is to create bold face designs that look exciting both from across the room and up close, based on our studies of theatrical makeup and world mask concepts. We work fast to paint as many people at an event as possible — a face like this zombie would take 3 minutes — so we do take shortcuts and simplify techniques (such as shading), and are less concerned about how a face looks in a foto as we are about it’s effect seen live. At a recent event I took these step-by-step fotos on a guest as I painted him.

zombiehowto_1base_131016c_agostinoarts  STEP 1: BASE — With a sponge, put a solid base color over the whole face (except the eyelids). Use any medium shade: grey is classic zombie, but can be green, blue or others. (See below for info on the makeup, brushes and sponges we use — and also for a pdf of a green zombie and other variations)

 

 

 

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zombiehowto_2shading_131016c_agostinoarts STEP 2: SHADING — Add shading to exaggerate the sunken parts of the face: the eye sockets, the sides of the nose, the lines from the edge of the nose going around the mouth, the hollows on the cheeks and chin. Generally with horror make-up, you want to make the face more dramatic looking by putting shadows into the sunken, fleshy parts of the face and highlights on the bony parts (step 3). I do my shading by painting thin lines with black liquid make-up, then “pulling” those lines with a large soft brush to blend them into the grey base. You can also do your shading with the edge of a sponge — a triangular sponge works well for that.

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zombiehowto_3highlights_131016c_agostinoarts  STEP 3: HIGHLIGHTS — In this step I use a sponge to lightly put white makeup onto the bridge of the nose, the cheek bones, chin and forehead, to increase the sculpting of the face.

I also put a bright color (yellow in this case) onto the eyelids to begin to make his zombie eyes.

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zombiehowto_4eyesmouth_131016c_agostinoarts  STEP 4: EYES & MOUTH — I add a red spot for the eyes and black to create the open mouth shape. It’s part of the style that I work in that the mouth is kind of loose and jagged — I like my monster faces to look “ill-formed”, not too precise.

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zombiehowto_5details_131016c_agostinoarts  STEP 5: FINAL DETAILS and EXPRESSIVE LINES — In this case I gave him small pointy teeth with some red dots for blood. I used what I term “expressive lines” to give his eyes an angrier look — they same kind of line techniques a cartoonist would use to change the expressions of an illustration can create the modern, fast type angry zombie or, with different eye lines, the old-fashioned shambling type zombie (in this case, I modeled off of those furrowed brows they always give the Hulk when he’s angry in comic books).

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zombieeyes_131016c_agostinoartsZOMBIE VARIATIONS —  Starting from this basic formula of using shading and highlights to make the face dramatic, using bizarre colors, and adding playful details like a gory mouth and zombie eyes, you can make a whole range of zombies, monsters, and other horror make-ups. The blue shaded zombie here was also painted at the same event. See the 3  previous posts for galleries of Halloween faces and variations.

Click here for a printable pdf of the step-by-step for a green zombie, and some examples of variations:

Halloween_ZombieHowTo_agostinoarts

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Kit-060507eMAKE-UP AND TOOLS — There are a  lot of good face painting make-ups available today, so please be sure to get a safe, comfortable make-up product for any facepainting. Never use paint on someone’s skin, even paints that say they are non-toxic — always use make-up.

The brand we prefer is Kryolan’s Aquacolor because of the vivid colors, ease of application and removal, and how comfortable they are to wear. Learn more on our web page http://agostinoarts.com/AboutTheMakeup including where you can get quality make-ups in the NYC area and online. And check out my book: Transformations! The Story Behind the Painted Faces

I apply the Aquacolors with sponges and brushes. I prefer the round craft-type sponges and synthetic sable watercolor brushes.

Learn about all that we do at: agostinoarts.com

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