Tag Archives: Bodyart

Abercrombie & Fitch Spring Quarterly 2000

body_painting_3abercrombieAndFitch_agostinoarts_2000

Abercrombie & Fitch Spring Quarterly 2000 cover, photograph by Bruce Weber

Abercrombie & Fitch Spring Quarterly 2000 cover, photograph by Bruce Weber

In October of 1999, the photographer Bruce Weber saw me painting animal faces in a mask-like style at the Cathedral of St. John the Divine’s annual St. Francis Day Fair. He hired me to do bodypainting for a photo shoot for the Abercrombie & Fitch Spring Quarterly 2000. Survivor was a hit on TV, so they were going for that, with the models like castaways — he gave me one instruction, “Lord of the Flies”, and when I told him I knew what he meant, he let me paint. I painted 19 models in about 3 hours in a swamp in Florida. He photographed each of the models separately (for the cover and an interior 4 page spread), and then the full group as the sun was starting to set. The foto he chose for the cover was of a model painted in a baboon spirit mask design I had been experimenting with all that summer, as we had been incorporating African mask styles into our faces for the opening of the Congo Gorilla Rain Forest at the Bronx Zoo that year. This gallery includes some of his photos (scanned from the quarterly), and a few of my own snapshots from that session. Return to our main website: agostinoarts.com

Return to our main website: agostinoarts.com

Related Articles:

UV Makeup and Blacklight Special Effects

 

We use UV makeups to create special effects under backlight for parties and events, and to add dayglo “pop” to our face and body painting. Special effects paintings range from fully painted glowing models, 60s style Go-Go Dancers and specialty bodypainting for clubs and evening events.

Working with UV makeups is like painting with light. We’ve used these effects for theme events ranging from “Under the Sea” Bar Mitzvahs to Woodstock themed corporate events. We’ve painted participants for Laser-Tag nights at colleges and created a Live Action Blacklight bodypainting stage performance as entertainment for conventions.

Christopher Agostino is recognized for his facility with UV makeups and has developed special techniques that allow him to create designs that work well under regular light as well as blacklight, which is especially useful for clubs and events where only part of a venue is under blacklight. His appearances for the Kryolan Professional Makeup company often include demonstrations of their UV Aquacolor makeups, widely considered the best UV product on the market.

“Crocodile Eating Jose” – demonstrating the use of Kryolan’s UV Aquacolors to create optical illusions and special effects at the 2012 Face and Body Art International Convention

UV Blacklight Live Action Bodypaint Performance:

The same painting under regular light and black light

UV_body_painting_gogouv_agostinoartsUV_BlacklightFacepainting_transformations_agostinoartsUV_bodypainting_GoGoDancers_agostinoartsUV_body_painting_GatorEatingJose_1horizontal_agostinoarts
UV_body_painting_DragonDemo_agostinoartsuv_Body_Paint_WildSpooky_agostinoartsUV_body_painting_aoVideoproject_agostinoartsUV_body_painting_Dragon_KeralaFaceA_agostinoarts
UV_body_painting_Dragon_WhiteLight_agostinoartsUV_body_painting_GatorEatingJose_agostinoartsUV_body_painting_GoGoUV_3_agostinoartsUV_body_painting_GoGoUV_FaceCloseup_agostinoarts
UV_body_painting_keralafaceUV_agostinoartsUV_body_painting_uvbutterflyface_agostinoartsUV_body_painting_uvdragon_FABAIC_agostinoartsUV_WildTribalDaygloFace_transformations_agostinoarts

 

Learn about Transformations Face Painting for Events

To learn more about all our programs and performances:  http://www.agostinoarts.com

Enhanced by Zemanta

Zebras — Body Painting at FABAIC 2012 with Kryolan Aquacolors

"Zebras" — painted on May 26 at FABAIC 2012

by Christopher Agostino    www.agostinoarts.com

I clipped a foto a few years back of two zebras crossing their necks like this, and thought how well it fit the shapes of a woman’s shoulders. Once the design is worked out, this is an enjoyable kind of body painting to do, because the painting process is pretty straightforward: block in the white areas for the zebras, add the shading over the white and then the black stripes on top—the stripes which fool the eye and make it all work just like they do on a zebra.

From the "Nuba Bird Dance", Bodies Alive!

The back design makes play with a photograph of a painted dancer from the Bodies Alive! show at FABAIC a few years back. Continue reading →