Face Painting Gallery — Materials for the Arts Halloween Party

Insane Clown Zombie

Lorraine and I painted at one of our favorite annual events last night, the Halloween Party at Materials for the Arts. Their event grows each year, this year BD Wong was the master of ceremonies. We’ve been painting at this event for a while, which means many of the folks we have seen and painted before, like this young man who very much wanted to be scarier than his brother, so I made him into an Insane Clown Zombie. At our annual New York events like this one, folks are familiar with the freedom and creativity we bring to each face and that encourages us to try new ideas, like this combination of a Monet color background with a dancing figure from an Andre Derain painting, as I continue to explore putting dancing figures on people’s faces. And I took the opportunity to do some  “sketches” for faces I’ll be painting for a Dia De Los Muertos performance by Calpulli Mexican Dance Company on Nov 3 and 4 at Pace University’s Schimmel Center.

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Modern Primitive Art


••••   The Modern Primitive Art Series   ••••

Photographic prints of fine art bodypainting.

Beginning in 2008, I did a series of painted bodies to be shown in life-sized photographs, as if they were paintings on canvas.

13 paintings are completed.

In the writings from and about the early 20th century—when European Art re-invented itself as Modern Art—we can see that the influence of “primitive” art ran deeper than the identifiable visual elements from cultural sources such as African and tribal art in the works of many influential artists.  The role of art as an integral component within the social and spiritual life of traditional communities was an inspiration for these artists in their effort to reinvigorate the transformative power of art. Picasso, amongst others, discussed a desire to make a new powerful type of art that would effect the viewer and society, an art that could no longer be experienced solely as an aesthetic act but which provoked a powerful response in the viewer. I see a parallel in the presentation of fine art painted bodies in American culture today—an act that can be seen as shocking even though it is based in truly ancient human tradition.

African Demoseille

Bodyart is a fundamental human art in all cultures—and quite probably the original act of art itself—and as such it is the initiating source of many visual art concepts. By combining the images of modern 20th century artists such as Picasso, Matisse, Derain and Klee with the body designs of traditional cultures that influenced them, I am returning this art to its source. By painting these works of art on a living, naked human to be seen in public I am striving, as did those early modern artists, to create an art that draws attention and demands a personal, emotional response from the viewer.

As I bring the images and concepts of modern artists back onto the body within the context of traditional bodyart designs I am experiencing a re-creation of this seminal moment in art history through my personal art tradition as a bodypainter. In the actual painting process I feel I am struggling to discover, understand and achieve a new way to paint on my chosen canvas just as I imagine that the modern masters felt.

Presented in exhibit as life-sized photographs in the manner of paintings, how will the viewer respond to these works?  Will they see these works as “paintings” or as “body paintings”? Is this within the tradition of the contemporary artist—the tradition I am part of by birth and culture—or is this confined by the medium to be an imitation of cultural folk art?  Is this art? Is this fine art?

          

to return to our website: www.agostinoarts.com

UV Makeup and Blacklight Special Effects

 

We use UV makeups to create special effects under backlight for parties and events, and to add dayglo “pop” to our face and body painting. Special effects paintings range from fully painted glowing models, 60s style Go-Go Dancers and specialty bodypainting for clubs and evening events.

Working with UV makeups is like painting with light. We’ve used these effects for theme events ranging from “Under the Sea” Bar Mitzvahs to Woodstock themed corporate events. We’ve painted participants for Laser-Tag nights at colleges and created a Live Action Blacklight bodypainting stage performance as entertainment for conventions.

Christopher Agostino is recognized for his facility with UV makeups and has developed special techniques that allow him to create designs that work well under regular light as well as blacklight, which is especially useful for clubs and events where only part of a venue is under blacklight. His appearances for the Kryolan Professional Makeup company often include demonstrations of their UV Aquacolor makeups, widely considered the best UV product on the market.

“Crocodile Eating Jose” – demonstrating the use of Kryolan’s UV Aquacolors to create optical illusions and special effects at the 2012 Face and Body Art International Convention

UV Blacklight Live Action Bodypaint Performance:

The same painting under regular light and black light

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Learn about Transformations Face Painting for Events

To learn more about all our programs and performances:  http://www.agostinoarts.com

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