Tag Archives: facepainting

Adventure Tales! — Become Your Own Hero

Adventure Tales! Become Your Own Hero

My StoryFaces performances have always featured hero and adventure tales, especially those about young or small protagonists, like The Tail of the Dragon, based on an ancient Chinese legend about a brave girl that saves her village, or Punia and the King of the Sharks, a Hawaiian tale about a boy who chooses to be a hero. The reason Punia can be brave in this tale is because he is small, an encouraging message for kids, that even the small can be heroes. A wide variety of adventure tales are available to suit the age range of your audience, from Aesop Fables to my original tales like When Man First Met Crocodile, The Tiger That Went to the House of the Sun and The Adventure of 2 LIzards on 4 Faces, or samurai adventure tales for older kids, like Raiko vs the Goblin Spider. 

Featuring my uniquely animated Amazing Face Story in which we see an audience member becomes the hero in an adventure on their own face — with a follow up DIY Amazing Face Story Activity for kids to create their own adventure tale in which they are the star. Adventure tales were the original motivational speeches, passed down through generations to inspire listeners to become the hero in their own lives.

logo image for performance called Christopher Agostino's StoryFaces: Adventure Tales! Become Your Own Hero. With 3 photographs of painted faces and the additional text "adventures come to life in an exciting StoryFaces storytelling show"

StoryFaces shows are a surprising combination of storytelling and visual arts that fully engages the entire audience as the stories come to life on the faces of audience volunteers. A typical performance runs 60 minutes, with 4 or 5 stories involving 5 – 10 volunteers being facepainted onstage to illustrate my tales as I tell them. Like a magician would do, I pick my volunteers from the audience to be part of the show onstage while I am also engaging the full audience with my interactive storytelling and audience involvement. If I’ve been to your library before, I keep a record of what I’ve told, so that I can always return with new stories for your audience.

See the video: What Is A StoryFace?

Please contact me with any questions or to schedule a performance.

Always exciting. And as much fun for adults as for kids.

Montage image of photographs of Christopher Agostino performing in StoryFaces shows, including images of him painting volunteers faces while storytelling.

learn about our other programs at:

Agostino Arts School Programs — our arts-in-education shows and theatre workshops

Talking Art — a special StoryFaces arts-in-education program of stories about art history origins, inspirations and appropriations, connecting students to some essential questions:  Why art? How does art work?

The Ocean Comes to Visit — sea life, magic fish and an ocean of possibilities

The Amazing Face Story Activity — an arts-in-education exercise to get kids to create an original story starring themselves.

The Power of a Story — an essay on why I tell tales

StoryFaces Movie — available online for streaming

StoryFaces came out of my 45 year adventure in theatre and facepainting, developing makeup art as a performance through my background in story theatre and physical comedy, enriched by exploration into the origins, inspirations and history of the art of transformation.

Talking Art — Performances and Workshops

This page has been updated to a new  Talking Art  page.

Facepainting Basics — How to Paint a Tiger Face

2/19/18 #transformationsny

I am re-posting this set of instructions for a tiger face as I get ready for my class in Facepainting Basics at Kryolan City NY on February 22. We’ll start with this simple design as an understanding of how to turn the human face into an animal mask. It’s such a basic starting place for any facepainter, I have a memory of copying a lion design out of a theatrical makeup text book (Richard Corson’s “Stage Makeup” maybe?) onto someone’s face at a Halloween event in Los Angeles around 1980, as I tried to work out what the book said about how to place the lines and use shading to change the shape of the human face. This type of design is the most direct form of mask-like facepainting, in which you directly transform the human features into the animal features, i.e. the human eyes become the tiger’s eyes, the human nose becomes the tiger’s nose, etc. The underlying formula has not changed since then for me, only the style has as, over the years, I synthesized the naturalistic shadings and linework of that theatrical makeup into this more graphic tiger mask design.  In this simplified style it’s quick to paint, makes a strong colorful impact and looks good from a distance — all of which are desirable qualities in face designs for big crowds at large events.

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Here’s my simplest tiger face, a very basic approach to what is probably the most popular animal face, adapted from my book, Transformations . Just two sponge colors and black. I took the step-by-step fotos in this example as I painted a guest at an event in 2005. The makeup used is Kryolan Aquacolors, a water-based theatrical makeup, which I prefer for its bright colors and simple application. About the Makeup

 

Step 1 – Orange — Start with a sponge and orange cake makeup for the base color. Leave the skin exposed on the eyelids and around the mouth where you will put in the yellow.

 

 

 

 

 

 

Step 2 – Yellow — I use a large, round sponge to apply my cake makeup. By squeezing the working area of the sponge between my thumb and fingers I can control the shape it makes to put the yellow almond shape of a cat’s eye onto the eyelids. By adjusting the size and shape of the eyes you can change the demeanor of the cat: large eyes are cute and kittenish, while narrower eyes can be made sinister. Yellow also goes over and beneath the lips for the whisker areas. When I am working quickly I don’t take a lot of time to blend my colors together, but I can make variations in tone by stippling the yellow over the orange. My sponges have an open texture so if I gently touch them to a face I can quickly stipple on some color to create highlights and a furry texture.

 

Step 3 – Black — Finally, the black line work. The essential methodology of my fast event faces is strong black line work over brightly colored bases. I’ll use a black liquid makeup loaded onto a #8 round brush when working at my quickest. Eyes first, so they can set a bit while I finish the rest. Iconic cat eyes, with a vertical line for the pupil, also have the advantage that they don’t smear if wet when you open your eyes (like a rounded pupil does). A tiger’s face and nose are longer than ours, so you need to create an illusion to help change the shape of the human face to be more tiger-like. For the nose: paint an upside down black triangle extending below the human nose to make it look longer. Beside the nose, draw a line down from the corner of each eye to the nose you made and shade that line out a bit under the eye with the edge of your brush, to make the human nose seem wider. Add the distinctive line cats have from the nose to the lips. Then paint just the bottom lip black (not the top lip at all) to help complete a visual illusion that makes the whole whisker area jut forward. Support this illusion with the curve of the lines extending out from the sides of the bottom lip, and with “fur” lines on the chin framing the yellow patch. For whiskers I use dots (because I think they read better than little lines which can look like stripes in the wrong place.) Add dynamic black stripes and the tiger is done.

For examples of how this basic design can generate many variations in a tiger face, see the post “Tiger Variations“

Learn more about all we do at: agostinoarts.com

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