Tag Archives: facepainting

IMATS New York 2012 — International Make-Up Artist Trade Show

Right from the entrance, the featured images were the same kind of full, exciting designs you'd see at Face and Body Painting Conventions

I had an unusual day today. I got to go to a make up show that I wasn’t working at. At IMATS yesterday I painted a body at Kryolan’s booth (and photos of that will be posted here soon), but today I had the day off and just went to see the show. It is a trade show, primarily a marketplace for professionals and amateurs to see and buy product (usually at big discounts), with some demonstrations at booths and stage presentations. It felt like a busman’s holiday for me, working around the booths with Lorraine and some artist friends. I’ve posted before (NY Makeup Show Bodypainting  —  Bodypainter or Makeup Artist?) that being at shows like these reminds me that I am not a “makeup artist”, I am painter who paints on people, so there is a lot of cosmetic products and makeup techniques that I have no connection to—however, as a “body painter” it is gratifying to see that the work that seems to attract the most interest at these events is the most extensive: special fx, body paintings, and extreme glamour. Continue reading →

Hands through Time — Reaching Out for Help: the Meakambut People of Papua New Guinea

“We, the Meakambut people, will give up hunting and always moving and living in the mountain caves if the government will give us a health clinic and a school, and two shovels and two axes so we can build homes.”

Those are the closing words of a poignant article in the February 2012 issue of National Geographic magazine: “Last of the Cave People” by Mark Jenkins. An NGM team had gone up into the mountains of Papua New Guinea to report on one of the last nomadic cave-dwelling people in the world and found the remnants of a people barely surviving. Sickness, hunger, the sparsity of animals to hunt, infant mortality and an understanding that there might not be a future for them led John Aiyo, one of their leaders, to give this message to the NGM reporter to bring out of the forest and relay to the government.

The article is accompanied by beautiful photographs (which I am not allowed to use here) of a jungle we might easily mistake for paradise. One of the photographs was of hand stencils in a cave painting—the ubiquitous image of hands on cave walls, found throughout the world and throughout time. There is also a photograph of one of the tribesmen painted up, walking through the jungle. This surprised me, because books (see Books Page) such as Man as Art by Malcolm  Kirk and Tribes by Art Wolfe report that the people of Papua New Guinea only paint themselves for festivals—today, most of which are at least in part tourist exhibitions. The article suggests that in this case the men painted themselves specifically because they were heading down out of the mountains with the NGM reporter’s team.

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Destroying the Traditional Nuba People—George Clooney Brings Attention to the Nuba Mountains

Southeast Nuba traditional body painting

George Clooney had himself arrested to bring attention to the one-sided warfare being inflicted by the northern Sudanese government on the people of the Nuba Mountains—and he has done much more than that, he has set up the Sudan Sentinel Project to monitor the ongoing human-rights abuses. The crux of the problem is that the Nuba Mountains are located north of the newly created border with Southern Sudan, though the people there are aligned with the southern Sudanese. New Yorker online: FREEING SUDAN—AND GEORGE CLOONEY

The traditional body arts of the Nuba have been a major inspiration for my work (see related articles below). In addition to the destructive actions of years of civil war and government aggression, their traditions have long been under cultural attack. In my research for the article on the Nuba for my book in 2005, I read in a National Geographic Magazine that the body art traditions have pretty much vanished from their culture. The religiously conservative Sudanese government was against traditional nakedness and bodypainting, and were working to eradicate those traditions—a primary method they were using was to put satellite TVs into community centers, to lure younger members of the tribal groups into a fascination with modern culture and away from their traditions. Continue reading →