Scraping Paint for the Power of the Ancients — Rock Art from Pecos River area

Jul8

A caller into today’s Science Friday show on NPR asked archeologist Solveig Turpin how later inhabitants of the Pecos River region responded to the more ancient, more elaborate rock art there as they created their own. She replied that they apparently respected it/ revered it as the work of their ancient ancestors. They didn’t destroy it or paint over it, though they would sometimes add their more modern drawings to it. And then she said something that really caught my attention. There is significant scraping of pigment from some of the ancient rock paintings because apparently the newer cultures would then mix the ancient pigment from the rock paintings into substances they would use or ingest during puberty and other rituals to gain the power of the ancients. “Scraping Paint” kinda feels like what I do when I look to all this stuff and try to find my inspiration in it by re-creating it as bodyart.

She said this Lower Pecos River style of rock art dates back 4-5,000 years, with sophisticated, complex painting techniques.

It features “shamanic” figures (to use that modern term for all of these ancient human/animal transformation figures whose true meaning and purpose we can only guess at), some 12 – 15′ tall. The thematic content of much of the art being interpreted as relating to human to animal transformation (or animal to human?, or humans acquiring animal attributes?) — and the panther is the key animal power figure, just as the lion is in similarly themed “shamanic” images in ancient Eurpoean cave art. Solveig Turpin: Research Fellow, Texas Archaeological Research Laboratory, University of Texas at Austin Author, “The Indigenous Art of Coahuila” (Universidad Autonoma de Coahuila, 2011)

Click here for a video of examples and her discussion of the art:

http://www.sciencefriday.com/embed/video/10392.swf

More examples and some great fotos at http://www.rockart.org/gallery/index.html (their site asks that they not be reproduced without permission so I am not posting any here) Rock Art Foundation

National Park site information on the area and its indigenous history: http://www.nps.gov/history/history/online_books/amis/crs/sec1.htm

An image of a "shamanic" figure, from the National Parks Services site

http://www.agostinoarts.com

72 Hours or Less: Seminole Canyon (mysanantonio.com)
DNA tracks how humans tamed horses (msnbc.msn.com)

Happy 4th of July

Jul4

Happy 4th of July

Finding Facepainting Freedom — “Sit down and we will turn you into a work of art”

Jun22

by Christopher Agostino

Just back from an evening of creating art on people’s faces at the annual Summer Solstice Celebration at Socrates Sculpture Park. (what a cool place: http://www.socratessculpturepark.org/about/ )

We are working hard this year to raise the level of creative adventure at our events, and this time we just told the people on line that every face would be a complete surprise, that we would turn everyone into a work of “living art.” We’ve been at Socrates for years now and we are used to the crowd and they are used to us — there are people we’ve painted there and at other NY events many times. It was a wonderful and very gratifying evening. We painted many adults, maybe as many as kids, including adults and twenty-somethings there with no kids at all. And people were enthusiastic abut being surprised, about joining the creative adventure, and that encouraged us to make new and bold choices.

People were remarkably open about what we were painting on them, and the enthusiasm of the adults was contagious to the kids. One of our artists, Christine, remarked that there was even less questioning about what people “wanted to be” than when we do some of our other creative themes such as “just tell me if you want to be ‘nice’ or ‘spooky'”. And I think it is because we used that word: “art” (“Sit down and we’ll turn you into art”). Because if we are turning them in to art, then we must be artists, and if we are artists then we are the experts about what they should look like. Facepainting Freedom! Try it, for the truth will set you free.

Here are my fotos, hot off the presses. To fit the Summer Solstice theme, I was trying to make all my faces connect to the sun, to light, to summer, to nature — and, as I have been for months now, I am continuing to work out how to take influences from modern artists into the faces I paint at any event.