Halloween Face Painting — Sunday: Halloween Party

Alien Belly Mouth

The freakish weather is turning this into the Halloween That Almost Wasn’t, with power outages and downed trees closing public events, so instead of painting hundreds with a team of artists at a zoo I shifted over to painting a few dozen at a Country Club. It’s a party we’ve done annually, so the staff are friendly, egging each other on to get painted, and the kids talk about what they were painted as in previous years.

Here are some of the photos of my work at the party, including some new takes on face designs I’ve been exploring throughout this Halloween season, like the Zombie Attack, and Saturday’s Zombie Eating Brains. While painting an alien onto a little kid a couple days ago I had the idea for the one here called Alien Belly Mouth — and for those of you new to painting face note that this design is essentially the same design as the Vampire Attack face, the same placement position on the face of a cartoonish figure, with just some details changed to make this basic concept into different characters.

My company artists have started to send me photos of their work over the weekend, so a gallery of their faces will be coming soon.

Vampire Attack

Zombie Attack

Demon - Goblin - Troll

Zombie Eating Brains

Zombie, on one of the waiters

Not everyone asked to be spooky...Fairies and Flowers

Sliding Home

What do you paint on a girl dressed like a hot dog?

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Halloween Face Painting — Saturday: Boo at the Zoo

Vampire Attack - With the bad weather it was a slow enough day that I had time to think of new designs to try like this variation on a figure placement we've used for other themes like aliens and sports figures.

Ice and Snow falling from the sky on a New York Halloween weekend, very unusual. And bad enough that outdoor events canceled and indoor events were under-attended.  The one good thing about days like these are that with less people to paint we can take more time with the faces and, especially, with the interaction with the people we paint. We have time for more playfulness and for working out new ideas. I was painting at the Prospect Park Zoo in Brooklyn http://www.prospectparkzoo.com/ , and as the snow began to fall very few families showed up for Boo at the Zoo — so we got to paint the zoo staff and volunteers that don’t always get a chance. Even on a bad day, facepainting is a fun job (well on most bad days, at least).
Here’s a few from today.

Werewolf Moon variation - We were using our "nice or Spooky" theme and this staff volunteer said he wanted a face that was a little of both.

Turning a Georgia Okeeffe abstract painting into a bird

Another example of our current thread of working from fine art images, taking a Paul Klee abstract landscape painting and giving it a zoo-appropriate animal theme

Sunflower, a favorite subject

A playful squirrel face to suit this volunteer's wonderful smile

Zombie Eating Brains was another idea I had while waiting for more faces to paint, and I was glad to ahve a chance to try it. I'm sure I'll paint it again tomorrow and work to fit the idea to the face better. When I painted this face, the sweet little girl who was next in lines covered her eyes, and she wouldn't take her hands down (even as Jennifer tried to paint her face) until this young man left the room.

When it was time to paint that young girl's Dad we decided his "spooky" face shouldn't be too spooky, so I left out the eyes on the eyelids trick and gave him flying ghosts instead

New Faces – October 8 + 9: Zombies, Halloween, Vampires, Save the Turtles and Art on Faces

"Zombie Attacke" painted at the Mill Neck Manor Fall Harvest Festival

This weekend offered more opportunities for creative adventures in facepainting, made even more fun by the wonderful Indian Summer weather here in New York. All of our outdoor events were packed with happy people. ‘Tis the season for facepainting, as we move past too hot summer weather and approach Halloween — the international holiday for celebrating transformation (haven’t you noticed that people are more willing to go wild in October?). My artists and I are collectively working on new ideas, egging each other on into new directions and working particularly on bringing more imagery onto the face, i.e. treating the face more like a canvas, and reaching further into other styles of art for inspiration. And, as we get increasingly enthusiastic about being more creative, we find an increasingly receptive public joining us in the adventure. All weekend long I heard people on line saying they thought it was cool and exciting that we would be surprising them with the faces we painted, with nary an indignant demand for a Spiderman face.
Here are faces from three events:

"Ballerina"

The 50th anniversary of the Mill Neck Manor Fall Harvest Festival (http://www.millneck.org/news/fall_festival/fall_festival.html) where we’ve painted for many years — at this event the organizers do charge people to have their faces painted, yet we still get to surprise them with our designs.

The Wildlife Conservation Society “Come Out of Your Shell” Run for the Wild at Coney Island’s Aquarium, raising funds to save turtles (http://e.wcs.org/site/PageNavigator/RFTW_AQ_homepage.html). Here we only painted variations on turtle designs on the adults and kids running the race.
The Parrish Art Museum Family Festival (http://www.parrishart.org/) in South Hampton. Whenever we paint at a museum we see it as an opportunity to present facepainting as an art. For this event our theme was “Art On Faces” as we were turning the participants into images from famous artists and paintings, while talking with them about the painting or about the artist and their style.

"Demon From Hell"

Two angels, from a William Blake painting

"Picasso Zombie"

from a Monet painting of Venice

Irises, from a painting by Van Gogh. This was the final face I painted at the Parrish Museum event, a nice way to end the weekend.

"Vampire Bite" - adapting an idea from cultural sources, the Jaguar or Serpent helmet mask designs from Aztec and Mayan examples

Impressionist Landscape - Sailboats from a Monet painting. I painted two sailboat landscapes (seascapes?) in succession, one this Monet image and the 2nd a Fauvist" style image from Andre Derain

Favist landscape, from Andre Derain's "The Red Sail"

from a foto of a Hawksbill turtle surrounded by fish, painted at the Run for the Wild in Coney Island

This was from a scene I remembered, snorkeling off of St.John many years ago I watched a sea turtle skimming along the turtle grass and occasionally rising up to gulp air at the surface. I tried to paint it in the way one sees things underwater, a little obscured and unclear.

We ended the painting at the Run for the Wild with this group of five young women. For this event, I was painting with Jennifer and Laura.

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